Visualizing State and Society: The Political Films of France, Italy, and the United States: 1960-1976

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dc.contributor.advisor Kelikian, Alice
dc.contributor.author Novick, Peter
dc.date.accessioned 2010-05-24T17:43:36Z
dc.date.available 2010-05-24T17:43:36Z
dc.date.issued 2010
dc.identifier.uri http://hdl.handle.net/10192/23863
dc.description.abstract While much study has been devoted to the respective revolutionary film movements of France, Italy, and the United State between the years 1960 and 1976, few have attempted a comparative analysis. Even fewer authors and critics have attempted to link each movement's omnipresent themes with their respective political and social superstructures. By looking at a select sample of films from several countries in the designated period, however, one ultimately find similar thematic approaches inextricably linked to those nations' social and political idiosyncrasies. The following essay, in turn, seeks to investigate the relationship between three national cinemas in a sixteen year period, with an eye towards two specific themes—images of corruption and bureaucracy and changing sexual and familial norms.
dc.description.sponsorship Brandeis University, Graduate School of Arts and Sciences
dc.format.mimetype application/pdf
dc.language English
dc.language.iso eng
dc.publisher Brandeis University
dc.relation.ispartofseries Brandeis University Theses and Dissertations
dc.rights Copyright by Peter Novick 2010
dc.title Visualizing State and Society: The Political Films of France, Italy, and the United States: 1960-1976
dc.type Thesis
dc.contributor.department Graduate Program in Comparative History
dc.degree.name MA
dc.degree.level Masters
dc.degree.discipline Comparative History
dc.degree.grantor Brandeis University, Graduate School of Arts and Sciences
dc.description.esploro 2


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