Visitant l'intérieur des principaux monuments de Paris.

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dc.contributor Donated by: Benjamin A. and Julia M. Trustman, 1959.
dc.coverage.spatial France -- History -- 1848-1870 en_US
dc.creator Daumier, Honoré, 1808-1879
dc.date.accessioned 2007-06-08T21:00:56Z
dc.date.available 2007-06-08T21:00:56Z
dc.date.issued 1859 en_US
dc.identifier LD3150 en_US
dc.identifier.uri http://hdl.handle.net/10192/3583
dc.description 2nd state. en_US
dc.description Published in: Le Charivari, March 9, 1859. en_US
dc.description.abstract Deposed Haitian President Faustin Soulouque visits the major attractions in Paris - including the zoo. SOULOUQUE, Faustin (1782-1867) was President of Haiti until 1857. He proclaimed himself Emperor in 1849 by the name of FAUSTIN I. In 1856, he was forced to resign and left Haiti in 1859. He lived in Jamaica for a few years, then returned to Haiti where he died in 1867. Emperor Soulouque and his court were the butt of caricaturists, mainly Daumier and Cham. It is interesting to note that Cham was the grandson of Comte de Noé, the former owner of Toussaint Louverture in the days of slavery in Saint Domingue. Once Napoleon III had succeeded in 1851 to control the liberal press by introducing stringent press laws, it was no longer possible to discuss the political situation under this regime openly in the papers. Some editors went abroad to build up a new opposition and a Charivari Belge was founded which criticized openly the French Government. Those editors who stayed behind had to find “substitutes” replacing the King without risking being closed down by the Government - like in the times of Louis-Philippe. Daumier used the Haitian Emperor Faustin SOULOUQUE as an exotic replacement for Napoléon III. Soulouque had come to power in 1848 and (like his French counterpart) became Emperor in 1849. He was crowned in an elaborate ceremony, imitating the Napoleonic pomp under Bonaparte, whom he admired deeply. His court exhibited a perpetual masquerade of imperial glory. During his exile in Belgium, Victor wrote biting articles on “Napoléon le Petit”, mentioning the Haitian Emperor but aiming at the French King. Any use of the epithet was a constant cause for Republican joy; everyone knew who was really meant, when the name Soulouque was mentioned. Daumier made over 20 lithographs during the Second Empire using Soulouque as an exotic surrogate for the French King. He dressed him in the fantastic uniform of a field marshal - similar to the one Napoléon would be wearing during military manoeuvres. When France was suffering heavy losses during the Crimean War, Soulouque appeared again in military garb, this time wearing a Napoleonic hat and commanding his black soldiers to storm into the open fire of the enemy towards certain death. The situation of the French army during the Crimean engagements had been similarly hopeless. Soulouque was eventually overthrown in 1859 by a liberal mulatto, Nicolas Geffrard , 1806-1879 and fled to Jamaica in exile. Daumier took the artistic liberty depicting him in exile in Paris, a city the real Soulouque had never seen in his life. Napoléon’s fate was similar to that of the Haitian emperor in that he too was chased out of the country in 1871 and went to exile to England. en_US
dc.format.extent 28 x 29 cm en_US
dc.format.extent b&w en_US
dc.format.extent 1 lithograph en_US
dc.publisher Paris, 1859 en_US
dc.relation.ispartof Actualités; 14 en_US
dc.relation.isreferencedby Delteil. Daumier, 3150 en_US
dc.rights Copyright restrictions may apply. For permission to copy or use this image, contact the Robert D. Farber University Archives and Special Collections Department, Brandeis University Libraries. en_US
dc.subject Cages en_US
dc.title Visitant l'intérieur des principaux monuments de Paris. fr
dc.title.alternative Visiting the interior of the major monuments of Paris. en_US
dc.title.alternative Charivari en_US
dc.rights.license The following credit line must be included with each item used: Benjamin A. and Julia M. Trustman Collection of Honoré Daumier Lithographs, Robert D. Farber University Archives & Special Collections Department, Brandeis University. en_US


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